Sample Interview With Mike Miller
BACKGROUND
What would you say are the traits of a "good"
storyteller?
Storytellers should be fun to be around,
speak well, be well read, and enjoy people.
How has your background helped you to be
a successful storyteller?
As a former manager in business, a former
minister of a church, and a Scout leader
I found that every time I communicated with
people of all ages and backgrounds I had
to insure that they understood what I said.
Using a story format seemed to work the best,
plus it was fun!
How would you define the role of a storyteller
in our culture?
Storytellers need to take on the role of
"Professional Explainer". Storytellers
can explain the past, the present, a child's
joy, a happy moment, just about any action
or feeling. Best of all the storyteller can
put the explanation into words that can be
understood. Storytellers don't just tell
stories, they paint pictures.
What are the responsibilities of a storyteller?
Storytellers should be the voice of the community
and the written word. They should encourage
folks to read and enjoy the power of a story,
speak out about events and history, plus
at times just be entertaining!
Describe your most memorable experience as
a storyteller.
I was asked to be the opening entertainment
for the South Carolina 2002 Winter Special
Olympics. I wrote a special story about an
athlete who overcame all kinds of obstacles
to win the prize. I had a number of the athletes
help me with the story by acting out each
of the characters. After the story was over
one young lady with Downs Syndrome came up
to me and said," Mr. Mike, I know you
were talking about me in your story and I'll
do my very best to win the prize!" She
smiled real big and ran back over to her
parents. I realized at that moment the power
of the story was changing a persons life
and that young ladies comment had touched
me like no other person had.
What book(s) or person (s) has had the greatest
effect on your storytelling?
My grandfather, Claremont Wyatt. He always
was telling stories about how things worked,
or why things were they way they were. My
favorite stories were when he would tell
me about my family tree. I've tried to emulate
him in my storytelling programs.
ART OF STORYTELLING
Do you have ways of connecting with your
audience?
I try to meet and talk to members of the
audience if at all possible so when I do
get in front of them I'm not a stranger.
If that isn't possible I try to have a bit
of information about the audience, the town
or group, etc. and try to incorporate it
into my story programs.
How do you determine what will "work
with" an audience?
I try to size up the location (outside, cold,
hot, noisy) and the age (or ages) of the
group, the time of day and if I follow another
storyteller. All of these together help me
decide what will work or what should be done
to hold their interest.
How important is moving your audience emotionally?
If your audience isn't emotionally with you,
they won't want to listen to you! But most
importantly what emotion you're trying to
obtain and when is important too. For example,
I was at a festival where the teller preceding
me was telling a very sad tale! The environment
wasn't right and the audience refused to
get involved with the story. They wanted
upbeat happy stuff!
How has your past (relationship with parents,
experiences in childhood, a crisis) influenced
you as a storyteller?
My past has provided fodder for many of my
stories, especially my childhood. Each of
the experiences I've had in the past, if
appropriate, I try and use in my stories
to empower the tale. Folks can tell if you're
just telling or telling from experience.
What's the funniest thing that ever happened
to you as a storyteller?
I was running late to a festival gig because
of heavy traffic and I parked my car about
a half mile from the festival and started
running. About halfway there one of my puppets
fell out of my bag into the road. When I
turned around to go back and get it a truck
ran it over! Smashed it flat! I picked it
up and kept running until I got to the stage
area just in time to go on. As I approached
the mic a thunderstorm hit and the sky emptied
on the audience and me! The microphone shocked
my mouth and the whole system went down!
It wasn't one of my best performances!
What connection (if any) do you see theater
and storytelling?
Storytellers use words more than actions
to get the story across and the theater uses
action and words to tell a story. There is
a connection in certain areas but as a rule
as storyteller is different than a story
actor.
What type of stories do you like to tell?
Why?
I like folk tales, audience participation
tales, and stories that are real whoppers!
They seem to connect well with all audiences
and age groups plus I feel they fit my style
better!
Some audiences are more challenging than
others. If you've ever had an interesting
experience with a "challenging audience"
please share what you learned with us.
I was telling stories to a crowd (adults
and kids) at a Cajun festival and I was telling
the tale of the Crazy Crawdad, where I use
a crawdad puppet. Part way through the story
two of the adults got into a fight in front
of the stage! they were punching each other
and a couple of other adults got into it
also. I wasn't sure what to do so I yelled
out over the microphone, "Your making
my puppet mad!" They stopped fighting
and started laughing! I finished my story
and made a vow not to tell stories to any
group I think might have been drinking!
Do you have any 'secrets" for keeping
your audience's attention?
I keep my "Full Contact" Storytelling
programs moving fast with little dead space.
A lot of audience participation and most
of my stories are in the three to six minute
time range. In between certain stories I
do some silly songs that folks can sing along
too. During a 45 minute set I'll do about
ten stories and three songs. I found the
fast pace and the variety holds the audiences
attention because it is unexpected.
As a storyteller how do you know when you
have been successful in your storytelling
presentation such as music, art, or dance?
When the crowd gets involved (physically
and verbally) with the stories or when you
hear them singing the songs after your performance.
What have you done that you are most proud
of?
Doing my Christmas story program for kids
with terminal cancer who wouldn't see another
holiday.
Do you include any other art forms in your
storytelling presentation such as music,
art, or dance?
I use a lot of silly songs and sometimes
some silly dancing.
BUSINESS OF TELLING
Do you have any books, tapes, or workshops
available?
I have two CD's, "Tales of True Fiction"
and "Billy Loves MoonPies and Other
Silly Tales"
A workshop for teachers, trainers, storytellers,
and professional speakers called:
THE ART AND TECHNIQUES OF STORYTELLING
ADVICE FOR NEW STORYTELLERS
Do you have any advice for new storytellers?
Have fun with the stories! Don't just tell
stories, get involved with them. Find your
own style. don't copy others, be the original
you! Also get involved with a local storytelling
guild if possible. They will help you a lot.
What choices have you made that helped further
your career?
Asking for help from successful solo performers.
Not just storytellers, but performers who
are doing well in the entertaining business.
Following their advice has helped me to double
my shows as well as helping me to finish
my CD's.
What's the best advice you ever received?
Be myself and find my own style.
For more information go to: www.greatstoryteller.com